David Dibosa's research interests focus on issues of spectatorship in relation to contemporary visual culture. He is currently a Co-investigator for Tate Encounters, an AHRC funded research project, looking at migration and national identity in relation to the display of British art. His publications include: Queer Appearances: Gilbert & George's Visual Strategies in the journal Sexualities (2009); How to Speak Borders in the journal Toplumbilim (2007); Fatal distraction: art-writing and looking at art, in the book Put About: a critical anthology on independent publishing (2004).

David Dibosa trained as a curator, after receiving his first degree from Girton College, University of Cambridge. He was awarded his PhD in Art History from Goldsmiths College, University of London. During the 1990s, he curated public art projects. He is currently Course Director for MA Art Theory at Chelsea College of Art and Design in the University of the Arts, London. He is also a Research Fellow in the University of the Arts Research Centre for Transnational Art, Identity and Nation.

Image: Dr. David Dibosa presents his lecture Hearings: Museums as Spaces for Democratic Voices, as part of Symposium Working Title: Archive organized in Lodz, Poland, by artist Marysia Lewandowska.